Saturday, March 15, 2014

Insist on your negative and at the end, óllalo fite in as unexpected a sign rather than a dogma of


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A number of sample texts andáronme webadvisor guelph grappled with the merger remote past-future invented. The first thing is to hang / invent / Hand, based on the image we got some readings, hands in the cave of negative Castillo [or River Paintings]: the first part against human shaped rock wall, also the first self-portrait and, perhaps, the first signature. A "I've been here." Grafitteiro. A message without animals or nature in the middle. Only against the mineral. Five stanzas. An open palm as a radiant idea.
I know that it was so but say that your palm against Cotran beats the cave. Open five phalanges, their five gems, apóiaas like a kiss and blows them bird-bone yesterday live-coal, rust, flamexa the land and has no name.
I know that but you insist: hand: nerve endings webadvisor guelph should actually be called links. Branches highway. Synapses cobbled into the abyss. No end in buds, these buds open multicolored, twisted, turnip greens as infinite hatch eggs stuffed with seeds and differential ways to grind the bread, string given the finger pressing the radioactivity like a hurdy-gurdy. Well you know what they are but they are gems flames.
Dial your literary hand cervanteira / valleinclánica, do not put me so, no, it is not, are our eyes whom you carry paints and hand and between the clay pit of the castle, river paintings Tito Bustillo, graffiti and neuron-germ webadvisor guelph tends promising to give the host with the word without meaning.
Insist on your negative and at the end, óllalo fite in as unexpected a sign rather than a dogma of art outside the magma of voices that will bring you here insist as a game, a little stubbornness
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